Jane Williams
Painting from the shoulder
once you’ve mastered the slow dance attend to your whirling dervish your courageous desire for more even two left feet can hold the rhythm of the ages
write poetry because nothing else comes close write it because you are in love with the word
by all means practise the scale and how to breathe but when you sing better the voice of an angel falling than one who thinks he knows his place
and if you must do it by numbers keep a room full of blank canvases for those rainy wish bone breaking days when you are moved to follow your own path painting out from the shoulder every tamed and learned thing
Thirst
having made it once again through the night and into the morning after and her still with him he tilts his head sunward looking comforted even a little cocky outside the supermarket where they could be any young couple bold and full of plans and just starting out she hands him a bread roll from a pack of six licks the crumbs from the back of her hand they both smile a little dreamily slide down against the sheen of someone else’s car sit there on the warming concrete in just another moment they'll agree in half sated whispers that this is the life that everything else is fucked and he'll wring the neck of the silver wine bladder and she'll rip the ring from the diet coke can rows of empty shopping trolleys shimmering in the semi precious middle distance
Valentines
after years of careful selection rumours arrived like owls he’d become a collector of upside down heart shaped things river stones driftwood the odd cumulus cloud remembered her as sensuous and soulful the face at turns beguiling and disagreeable an overripe fantasy life on the whole she’d pulled her own weight a hit and miss cook the heart willing but infantile not yet conditional too much in the end like the real thing
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